by SaportaReport Contributor
Jamie Clements, a leader at Atlanta’s Alliance Theatre, recently shared his perspectives on the fascinating world of Broadway-bound productions and theatrical investing. Jamie, the Alliance’s director of development, brings both professional and personal passion and knowledge to theatre, and has watched numerous shows originally produced at the Alliance Theatre continue on to successful Broadway or off-Broadway runs. He generously fielded our questions to help others better understand this intriguing world.
1. Jamie, would you explain the Alliance’s history of sending productions to Broadway?
a. Since its founding in 1968, the Alliance has premiered more than 100 original productions, launching important American musicals to Broadway, including the Tony Award winners The Color Purple; Aida by Elton John and Tim Rice; and Alfred Uhry’s The Last Night of Ballyhoo. Because Atlanta has helped us create such a remarkable venue, and helped support us attracting and hiring incredibly talented designers, costume artisans, set builders and theater run-crews (the people who actually make the shows work each night behind the scenes), the Alliance is in an elite group of less than a dozen theaters nation-wide who specialize in large-scale, pre-Broadway, world premiere partnerships. We have sent nine shows to Broadway and have quite a few in the line-up for future projects, including two hopefuls (Becoming Nancy and Maybe Happy Ending) in our current season.
2. How does the Alliance Theatre partner with investors and producers?
a. It is not common knowledge that every show on Broadway is actually a for-profit company, and like most successful companies, the producers who originate these shows like to have a “beta test” or trial run to test their product before scaling it up to Broadway. Your favorites – Wicked, Hamilton, The Color Purple, The Lion King, etc. – all had one of these “out of town try-outs,” as they are called in the theater business, in big regional, non-profit theaters like the Alliance. During these trial runs, the shows change dramatically in rehearsals, and as the producers and directors hear and see the reactions from the audiences during what are called “preview performances.” A pre-Broadway show will often have 10-12 previews before Opening Night at the Alliance, with the show changing every single night until it “locks in” on Opening and remains the same for the remainder of the run. Because of this iterative process in previews, the producers are every bit as interested in our audiences as they are in our staff. The Alliance is a standout in the competitive world of pre-Broadway partnerships because of our diverse, engaged and invested patrons.
3. Does the Alliance Theatre profit when shows they produce go big?
a. A wise Broadway investor once said “investing in a Broadway show is the most fun money you will ever lose!” When we enter into an agreement with Broadway-bound shows, the Alliance becomes an investor in that show, but we are most interested in sharing a great new story with Atlanta before the rest of the world sees it. Because we go to great expense to help build, costume and run a show, we do share in a small percentage of the profits after the show hopefully goes on to Broadway, national tours, and sometimes even when it is licensed to grace the stages of high schools, colleges, or community theaters around the country. Any money we receive in royalties is invested directly back into the work we do on our Atlanta stages and in hundreds of classrooms around the state of Georgia. We are always looking to be partners on high-potential shows, not only because they are great fun while they are in Atlanta, but also because we get to help export a great cultural product from Georgia that will then pay dividends we are able to reinvest in our city and community.
4. How have shows performed on Broadway? Any Tony Awards or other accolades?
a. The Alliance has been incredibly fortunate with all of our Broadway-bound partnerships, but we are of course very proud of our three Tony Award winning shows (The Color Purple, Aida, and The Last Night of Ballyhoo). These shows were some of the reasons why The American Theatre Wing chose to award the Alliance Theatre itself with a Tony Award for artistic excellence in 2007. The Prom, which premiered at the Alliance in 2017, recently concluded 300+ performances on Broadway and received seven Tony nominations during this past awards season. In total, world premieres from the Alliance have garnered 30 Tony nominations and six Tony Awards. More than anything, the remarkable people attached to these shows – designers, actors, musicians, artists – all form incredible bonds with our patrons, staff and our city, so we see that as one of the best rewards each time we host a pre-Broadway partnership.
5. Have you seen any on Broadway?
a. I was fortunate to see The Prom in the final week of previews on Broadway, just days before it had a fabulous Opening Night. It was the first show I’ve been able to see from “beta test” version here at the Alliance, all the way to scaled-up nationwide attention and fame. Selections from The Prom also kicked off 2018’s Macy’s Thanksgiving Day Parade, which was a proud moment to watch.
6. What’s your favorite thing about Becoming Nancy?
a. One reviewer noted that this is a “life-positive” show, and I couldn’t agree more. It is alive and energetic and exhilarating and funny and heartwarming. Exactly what I want from a great night at the theater.
Becoming Nancy is currently running on the brand new Coca-Cola Stage at Alliance Theatre until Sunday, October 6. For more information, visit alliancetheatre.org.
Featured photo: Jasmine Rogers, Nicole Medoro, Sally Ann Triplett, Zachary Sayle, Jessica Vosk, Lizzie Bea, and Matt Hetherington in the Alliance Theatre’s 2019/20 world premiere production BECOMING NANCY. Photo by Greg Mooney.